That 8K footage can also be downscaled to 4K, and when it is compared to the native 4K from all-in-one cameras the quality difference is substantial. A set up like the Omni can film in up to 8K when all of the footage is stitched together. Probably the biggest pro for multi-camera 360 setups is the resolution. No app control or live preview functions.Lots of settings options, like a normal digital video camera.Not as durable when exposed to the elements.Much like traditional cameras, micro shakes can show up when filming scenes with too much movement and these shakes can really make seamlines become apparent.ģ60 Rigs: Pros and Cons All-in-One 360 Camera: Pros Movement can cause a higher probability of seamlines and ‘jello’ shakes in the final video. Try to avoid too much movement on the rig while recording. And if they do have to hold the camera rig, adjust the length of the boom pole so that it is as far away from them as possible and still safe for filming the activity. When a person is holding a 360-camera rig would be the only exception to this rule. And they won’t look like a giant when a person is watching the final 360 video. It is much easier to correct any stitching issues when a person is 10’ feet away, instead of them being 1’ foot from the camera. ![]() I also recommend keeping your subjects 5-10’ feet from the camera rig when filming, again to help reduce any parallax issues between the cameras. This will help drastically in the stitching process later. The higher the camera is mounted, the less of an issue parallax will be during stitching.īe aware of the camera seamlines and angle the cameras so that your subject isn’t directly on a seam, or directly split in between two cameras. This helps with any parallax issues during the stitching process because usually the ground will be the closest area to the camera. I also got the best results with the camera mounted at head height (roughly 6ft) or higher. It is also important to make sure the camera is mounted straight vertically, not leaning to one side. The base of a traditional tripod is too large for 360 cameras: nobody wants to see big tripod legs on a large portion of the video. I am using the Manfrotto Boom 3-K pole with a Manfrotto Hi-Hat (that's a very short tripod). A monopod with a sturdy tri-leg base is a good choice. Make sure you have your camera on a narrow, but well balanced, mounting Set up, and then get an error right when you hit record! The last thing you want is to be out in the field, completely The first practical lesson I learned about recording 360 was to always do a recording test before leavingįor your location to make sure all of the cameras are hooked up properly in yourĪrray. Numerous USB cables, SD cards, and adapters to transfer footage.Tools such as a hex tool and tweezers for working with the camera rig in the field. ![]()
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